What happens when Tertuliano M-ximo Afonso, a 38-year-old professor of history, discovers that there is a man living in the same city who is identical to him on every physical detail, but not related by blood at all. And what happens when each of these men attempt to investigate each other's lives? How do we know who we are? What do we mean by identity? What defines us as indiv...(展开全部)

Tertuliano Maximo Afonso is a divorced, depressed history teacher. To lift his spirits, a colleague suggests he rent a certain video. Tertuliano watches the film, unimpressed. But during the night, when he is awakened by noises in his apartment, he goes into the living room to find that the VCR is replaying the video. He watches in astonishment as a man who looks exactly like h...(展开全部)

What happens when Tertuliano M-ximo Afonso, a 38-year-old professor of history, discovers that there is a man living in the same city who is identical to him on every physical detail, but not related by blood at all. And what happens when each of these men attempt to investigate each other's lives? How do we know who we are? What do we mean by identity? What defines us as indiv...(展开全部)

Tertuliano Maximo Afonso is a divorced, depressed history teacher. To lift his spirits, a colleague suggests he rent a certain video. Tertuliano watches the film, unimpressed. But during the night, when he is awakened by noises in his apartment, he goes into the living room to find that the VCR is replaying the video. He watches in astonishment as a man who looks exactly like h...(展开全部)

作者：陀思妥耶夫斯基（1821—1881），“俄国文学三巨头”之一，影响世界文学的重要作家。 译者：臧仲伦（1931—2014）：北京大学教授，中国作家协会会员，中国翻译协会“资深翻译家”，翻译了陀思妥耶夫斯基的大量作品，并与巴金先生合译了赫尔岑的《往事与随想》。

The Double is a remarkable tale in the tradition of doppelgänger literature. As Dostoevsky examines the neurosis and paranoia that cripple a seemingly ordinary man, he produces a thoroughly ‘modern’ nightmare, brilliantly foreshadowing the works of Kafka and Sartre. Mr Golyadkin is a rather middling man, a somewhat insignificant government official. Then one day he meets his ...(展开全部)

"The Double" is a remarkable work of doppelganger literature. As Dostoevsky examines the neurosis and paranoia that cripple a seemingly ordinary man, he produces a thoroughly modern nightmare, brilliantly foreshadowing the works of Kafka and Sartre. Mr. Golyadkin, a minor government official, is a rather middling man. Then one day he meets his "double"--a man with the same name...(展开全部)

埃勒里·奎因（ElleryQueen），推理小说史上一个非凡的名字，实指弗雷德里克·丹奈（FredericDannay，1905—1982）和曼弗里德·李（ManfredLee，1905—1971）这对表兄弟作家。他们的创作时间长达半个世纪，作品多达数十部，全球销量约计两亿册；他们曾五获埃德加·爱伦·坡奖；他们的四部“悲剧系列”和九部“国名系列”作品被公认为推理小说史上难以逾越的佳作；他们于1941年创办的《埃勒里·奎因神秘杂志》（EQMM）成为劳伦斯·布洛克、迈克尔·康柰利等推理大家起飞的平台，迄今仍是最专业、最权威的推理文学杂志之一；他们出资设立“密室研讨小组”，定期与约翰·狄克森·卡尔、克雷顿·劳森等推理大师交流、切磋……他们成就的不仅仅是自己，更为成就推理小说的黄金时代书写了浓墨重彩。

埃勒里·奎因（ElleryQueen），推理小说史上一个非凡的名字，实指弗雷德里克·丹奈（FredericDannay，1905—1982）和曼弗里德·李（ManfredLee，1905—1971）这对表兄弟作家。他们的创作时间长达半个世纪，作品多达数十部，全球销量约计两亿册；他们曾五获埃德加·爱伦·坡奖；他们的四部“悲剧系列”和九部“国名系列”作品被公认为推理小说史上难以逾越的佳作；他们于1941年创办的《埃勒里·奎因神秘杂志》（EQMM）成为劳伦斯·布洛克、迈克尔·康柰利等推理大家起飞的平台，迄今仍是最专业、最权威的推理文学杂志之一；他们出资设立“密室研讨小组”，定期与约翰·狄克森·卡尔、克雷顿·劳森等推理大师交流、切磋……他们成就的不仅仅是自己，更为成就推理小说的黄金时代书写了浓墨重彩。